《明周臣宁戚饭牛图轴》是明代画家周臣创作的一幅古画，现藏于台北故宫博物院。
《明周臣宁戚饭牛图轴》，年代：明代。作家：周臣。现藏地：台北故宫博物院。材质：纸本。类型：水墨画。尺幅：纵126.7厘米，横68.9厘米。
该画取材于《吕氏春秋·举难》中的“宁戚饭牛”典故，刻画了春秋工夫卫国东说念主宁戚在皆国东门外喂牛，并扣牛角而歌的情状。画中宁戚形象本分，作农夫装束，牵牛而行，布景有古树荒岭、寒溪远去等当然酣畅，文字粗野，水墨淋漓，泄露了宁戚虽处窘境但仍不失志向的情愫。
据《吕氏春秋·举难》记录，宁戚因家贫而不骄傲，思去皆国谋求发展，便诈欺受雇赶牛车的契机到达皆国。在皆国东门外，他一边喂牛一边大喊抒情，其歌声引起了皆桓公的提防。皆桓公以为宁戚人命交关，遂延请他入城，并最终聘为丞相。这个典故自后成为怀宝迷邦、自荐求官以及求仕愿望取得已毕的标记。
周臣（生卒年概略），字舜卿，号东村，吴县（今江苏苏州）东说念主，活动于15世纪末至16世纪初。他擅画山水、东说念主物、花鸟，画法主宗南宋李唐、马远等院体画风，并受文东说念主画的一定影响，功力深厚。周臣是一位浪掷窜改精神的奇迹画师，他的作品在画坛上独树一帜，对后世产生了潜入影响。
《明周臣宁戚饭牛图轴》不仅是一幅具有艺术价值的古画，更蕴含着深刻的文化内涵和历史寓意。它通过宁戚饭牛的故事，展现了古代士东说念主怀宝迷邦的境遇以及通过本人竭力最终已毕理思的精神风貌。同期，该画也反应了皆桓公识才用才、不拘一格弃取贤才的理智之举，对后世具有积极的启暗意旨。
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